Peter Chamberlain

Peter C has uploaded some amazing work from earlier in his career.

Carol Goss

Carol Goss has been active in abstract video work from very early on, have a look at her excellent website for more information www.improvart.com, here are some selected still's from her site just to give an initial idea of the range of her work.

Photo of Carol Goss in live performance at Joseph Papp's Public Theater, NYC 1978.

TOPOGRAPHY
Carol Goss - Paik-Abe Synthesizer
Paul Bley - Electric Piano
Bill Connors -Electric Guitar

S-CONSTRUCT
Carol Goss - Computer Animation
Don Preston - Audio Synthesizer

KUNDALINI
Carol Goss / Video Feedback
Perry Robinson / Clarinet
Badal Roy + Nana Vasconcelos / Percussion

above image awaiting caption

http://www.offlinenetworks.com/UVHP/CGoss.html

http://books.google.co.uk/
http://www.videoartworld.org/artist_560.html
http://www.improvart.com/goss/Bio-brief.htm
http://www.eai.org/artistBio.htm?id=13107

Signal Culture

The Demise of ETC as an active center has left a huge hole in the video landscape could Signal Culture be about to fill it?
http://signalculture.org
http://www.indiegogo.com/projects/signal-culture

Nonlinear: Redpink, Gelbgruen, PINK

https://vimeo.com/nonlinears
"2011. (analog garden). generated on the sandine analog video synthesizer during a residency at the experimental television center in owego, ny, usa in 2008"

AFC: Work from the Experimental TV Center Archive/Television Delivers People

I know it's a bit late now, I misse this but it's here for posterity :) also check out the ICAs current exhibition Remote Control that surveys the enormous impact that television has had upon contemporary culture and there other related live events Television Delivers People



















Photo: James Richards


Next Thursday (13 April 2012), Artists’ Film Club presents a selection of ground-breaking works from the archive of New York’s Experimental TV Center. An insight into the recent history of artists using, exploiting and subverting new electronic media technologies.
In the early 1970′s, artists were moving outside existing organisational structures in attempts to create more utopian systems, in critique of television and mainstream media. However, until the 1990′s artists struggled to access these new media tools for their own uses. Founded in 1969 in Owego, New York state, the Experimental TV Center has been a hub for video engineering and experimentation ever since.

Created by artists for other artists the center has developed its own unique bank of radical editing and image processing equipment, worked with by such diverse artists such as Gary Hill, Ikue Mori, Nam June Paik and Abigail Child.

The Artists’ Film Club presents a programme of works from the ETC’s archive and is selected by artist James Richards, and Associate Curator of Artists’ Moving Image, Steven Cairns.

Find out more about the unique and peculiar resources hosted at the ETC.

EAB VIDEO LAB

looks awesome! form Seth Nemec on flickr check his photos for more shots form the Experimental Television Center

experimental tv center to close

sad times but I can understand why

go out and get the dvd if you are in to video it is and excellent resource I got mine for christmas

link to explanation pdf here

Hilarious Michael Jackson's Black or White vs the Wobulator

here is a super cool piece by marisaolson on youtube using the raster scan distortion device created by Naim June Paik which is now part of the gear at the ETC


from the description
" The audio signals from Michael Jackson's "Black or White" modify the processing of a video of me listening to the song, via Nam June Paik's rasterizer/"wobulator." I made this on a residency at the Experimental Television Center (NY) and it's one of many headphone pieces in which I perform listening. The B/W question is tongue in cheek, but I was really inspired by the song's original music video, in which a series of faces/video portraits morph into each other..."